What a Spider Sees at Night was an installation made for Les Nuits des Bassins Projection Mapping Festival in Arras, France. It explores what a spider might see at night through an interactive analogue feedback loop between a camera and a projector. The audience is then invited to play with the image in front of the projector feeding the seemingly endless hall of mirrored images.
Le Beffrois d'Arras is a stacking game and projection installation created with images and sounds from the city of Arras and displayed at Les Nuits des Bassins Festival. This project delves into documenting the building and re-building of the city, which is famous for its role in WW1 where it was devastatingly destroyed but rebuilt afterwards. Underneath the city there is a medieval tunnel network that housed 24000 soldiers during the war.
This project was made for the 2018 version of the Festival Les Nuits des Bassins in Arras, France.
The project consisted of a series of screens built out of different materials such as cloth and wood, onto which animations by different artists in the team were screened, creating an abstract collage of animation and narratives.
The sound-landscape was composed by Severin Black.
In collaboration with Alize Sotelo, we made the projection mapping part of a theatre play called The Existence Formula. The play took place in London at The Bunker Theatre and in New York City.